My specialism is lateral thinking, resolving the complexity encountered in the world with reductive poetic logic. I intertwine commercial and cultural practice: responding to the paradox of daily life and the complexities of project assignments. I seek focused solutions that feel inevitable. I get there by starting at the beginning, asking why, what if… then making sense of the things I find with radical acceptance and by embracing truth.

Please follow me on Instagram. I am reposting works, exploring the things I have made over the past twenty years in preparation for the next twenty years.

Reflectometric, 2019
210mm x 297 A4 glass clip frame, acrylic paint
Edition of 60 signed and numbered copies, each unique

The clip frame backing board is marked in pencil, mapping geometric shapes and proportions relational to its dimensions and the four slot apertures. Colours are emotiomaticaly selected and combined, in rhythm to the mantra internalised, and applied at the intersection of lines. The final composition grows from the weight of the glass and the gentle squeeze exerted by the frames clips, spreading and connecting colours between the two surfaces. Made to be displayed in transitional spaces, to remind the viewer to be fully present.

Note on viewing: Each painting is its own universe, select one. Breathe slowly and deeply whilst observing the painting. Gradually let your gaze go out of focus. Meditate on the centre of the painting, allowing its geometry to bring your mind to a state of balance.






Prismacolor Pen Print (diptych)

A complete set of 156 Prismacolor Markers (arranged following manufacturer’s numbered coluor chart) held within inverted glasses, one ream of 25” x 38” uncoated, 40 lb. paper, divided into two stacks.

Over the course of the 39 days of the exhibition (September 18 through October 26, 2008), the paper absorbed the ink from the pens. The sheets at the top of each stack absorbed more ink than the sheets farther away from the tips of the pens. The result is an edition of organically related prints, each unique.

The ink reached the 31st sheet in the stack of paper that comprises the top half of the diptych and the 29th sheet of the stack that comprises the bottom half of the diptych.Prior to discovering the extent of the edition, it was determined that the price of each diptych would equal the highest number of sheets stained by the ink.

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