My specialism is lateral thinking, resolving the complexity encountered in the world with reductive poetic logic. I intertwine commercial and cultural practice: responding to the paradox of daily life and the complexities of project assignments. I seek focused solutions that feel inevitable. I get there by starting at the beginning, asking why, what if… then making sense of the things I find with radical acceptance and by embracing truth.
Please follow me on Instagram. I am reposting works, exploring the things I have made over the past twenty years in preparation for the next twenty years.
210mm x 297 A4 glass clip frame, acrylic paint
Edition of 60 signed and numbered copies, each unique
The clip frame backing board is marked in pencil, mapping geometric shapes and proportions relational to its dimensions and the four slot apertures. Colours are emotiomaticaly selected and combined, in rhythm to the mantra internalised, and applied at the intersection of lines. The final composition grows from the weight of the glass and the gentle squeeze exerted by the frames clips, spreading and connecting colours between the two surfaces. Made to be displayed in transitional spaces, to remind the viewer to be fully present.
Note on viewing: Each painting is its own universe, select one. Breathe slowly and deeply whilst observing the painting. Gradually let your gaze go out of focus. Meditate on the centre of the painting, allowing its geometry to bring your mind to a state of balance.
240mm x 180mm, 10 pages
Black and white
Made for the exhibition Works on Books curated by Aslak Gurholt and Martin Asbjørnsen, Grafill R21, Oslo, Norway
Four photographs of corners from within the exhibition space, printed actual size in a book. Opening the book renders a two dimensional plane (photograph) into a three dimensional space (two walls meeting in the binding of this book). The book is installed within the exhibition, each spread open ninety degrees, matching the photograph with the actual space it depicts.
Photographs of the corners as printed in the book by Aslak Gurholt and Martin Asbjørnsen
Photographs of the book installed in the exhibition by Ivar Kvaal