My specialism is lateral thinking, resolving the complexity encountered in the world with reductive poetic logic. I intertwine commercial and cultural practice: responding to the paradox of daily life and the complexities of project assignments. I seek focused solutions that feel inevitable. I get there by starting at the beginning, asking why, what if… then making sense of the things I find with radical acceptance and by embracing truth.

Please follow me on Instagram. I am reposting works, exploring the things I have made over the past twenty years in preparation for the next twenty years.

Reflectometric, 2019
210mm x 297 A4 glass clip frame, acrylic paint
Edition of 60 signed and numbered copies, each unique

The clip frame backing board is marked in pencil, mapping geometric shapes and proportions relational to its dimensions and the four slot apertures. Colours are emotiomaticaly selected and combined, in rhythm to the mantra internalised, and applied at the intersection of lines. The final composition grows from the weight of the glass and the gentle squeeze exerted by the frames clips, spreading and connecting colours between the two surfaces. Made to be displayed in transitional spaces, to remind the viewer to be fully present.

Note on viewing: Each painting is its own universe, select one. Breathe slowly and deeply whilst observing the painting. Gradually let your gaze go out of focus. Meditate on the centre of the painting, allowing its geometry to bring your mind to a state of balance.

One Hour Circle Painting
clock, 60 different colours of spray paint

The clock is hung on the gallery wall at head height. 60 different visitors to the gallery are individually given the following instruction: Select one can of spray paint. Spray one complete circle around the perimeter of the clock in an uninterrupted clockwise circular motion following the ticking second hand of the clock as a metronome/guide. Your circle must take 60 seconds to paint, at 15 seconds the circle should be a quarter complete and at 30 seconds the painting should be half way. Start and end at the 12 o’clock position, do not lift your finger off the spray can nozzle until the circle is complete, don’t worry too much if your line overlaps the previous persons line.

Each circle adds to the growing set of concentric rings. The combined set represents a combined painting duration of exactly one hour.

First installed Eleventh Hour curated by Michal Novotný
Futura Centre for Contemporary Art, Prague, Czech Republic