My specialism is lateral thinking, resolving the complexity encountered in the world with reductive poetic logic. I intertwine commercial and cultural practice: responding to the paradox of daily life and the complexities of project assignments. I seek focused solutions that feel inevitable. I get there by starting at the beginning, asking why, what if… then making sense of the things I find with radical acceptance and by embracing truth.
Please follow me on Instagram. I am reposting works, exploring the things I have made over the past twenty years in preparation for the next twenty years.
210mm x 297 A4 glass clip frame, acrylic paint
Edition of 60 signed and numbered copies, each unique
The clip frame backing board is marked in pencil, mapping geometric shapes and proportions relational to its dimensions and the four slot apertures. Colours are emotiomaticaly selected and combined, in rhythm to the mantra internalised, and applied at the intersection of lines. The final composition grows from the weight of the glass and the gentle squeeze exerted by the frames clips, spreading and connecting colours between the two surfaces. Made to be displayed in transitional spaces, to remind the viewer to be fully present.
Note on viewing: Each painting is its own universe, select one. Breathe slowly and deeply whilst observing the painting. Gradually let your gaze go out of focus. Meditate on the centre of the painting, allowing its geometry to bring your mind to a state of balance.
May 2007 – ongoing
On my first day at college each student in my graphic design class had to present a typographic self portrait. Years later I can only remember one, an example made by a friend named Richard Holley. His response to the brief is one of the best pieces of graphic design I have seen. Richard has since lost his original. I invite you to create your own…
Instructions: Using an ink pad make a print of your thumb in the center of a white page. Enlarge this thumb print on a photocopier to match the approximate size of your face. Place a thin sheet of copy paper over the photocopied enlargement of your thumb print and secure it in place with tape or paperclips. Starting anywhere you wish and using a black ink pen and your natural/everyday handwriting, compose a text about yourself following the contour lines of your thumb print as a guide. Use a light box or window to improve the show-through.
The final result combines your text, your handwriting, and your finger print to form a self portrait.
To contribute to the collection below, make a scan of your finished drawing and email to daniel (at) eatock (dot) com
Please note: Previous participants in this project sometimes employed different coloured pens and formal lettering or type-styles to enhance the visual complexity of the portraits and give more character to the graphic outcome of this project. Please try to follow the simple instructions above as carefully as possible using black ink and your everyday (natural) hand lettering. The goal of this effort is to produce a set of self portraits that are as formally consistent as possible, yet, when studied, reveal the individuality and uniqueness of their authors.